听力原文:M: Cindy, would you like to go and see the newly-released film Night at the Museum in the Golden Theater with me tonight?
W: I'd love to, but I have an important appointment with my supervisor. Thanks for asking me, anyway.
Q: What is the woman going to do tonight?
(19)
A. She's going to see the film with the man.
B. She's going to the Golden Theatre.
C. She's going to the museum.
D. She's going to visit her supervisor.
查看答案
听力原文:M: Hi, Rose. I just bought a four-band radio which can receive short-wave programs very well.
W: Really? I've got a ten-band one and it has less jamming. It's a world-receiver, you know.
Q: What can we infer from the conversation?
(18)
A. The woman's radio can receive more programs than the man's.
B. The woman's radio can't receive programs as well as the man's.
C. The four-band radio can receive programs with less jamming.
D. The man's radio is also a world-receiver.
Recently in the Scottish Highlands, 260 theatergoers were led up a well-lit, pin-tree-lined concrete path. Their destination? A vacant water plant. The large concrete space had the impersonal feel of an army camp—exactly the atmosphere the producers of Black Watch hoped to reproduce. The play is based on the true story of a Highlands troop sent overseas in 2004.
Essentially, site-specific theater refers to plays produced in places directly relevant to their action. At the Museum Hotel in Wellington, New Zealand, audiences filed into room 217 to watch a tale about the various personalities who had occupied the room over time. " I think people are tired of the same old plays in the same confines of space, " says Paul McLaughlin, who produced Hotel. "Drama happens all around us—at the bus stop, in a supermarket—so we attempted to show how people can interact with the space that surrounds them. "
To be sure, on-scene productions present their own set of challenges. Producers of Black Watch had to scout around London for a location for when the show comes to the British capital. But for many audience members, leaving the comfort of their theater seats makes for a more meaningful experience. "A lot of site-specific work challenges the way you look and think, "says Nick Kaye, a drama professor at the University of Exeter.
Site-specific shows can also satisfy the growing desire for individualized entertainment fueled by on-demand television and the Internet. In Faust, which the London-based theater group Punch-drunk just wrapped up, audience members got to pick what they wanted to see. Housed in an old five-story storehouse in east London, the play featured different settings. Audience members could choose to watch a scene and follow certain actors from location to location. Felix Barrett, the director of Faust, says today's theatergoers expect more than just the traditional audience-actor relationship. "What I wanted to do was to create a piece where the audience can carve out the night they want to have, and it stays with them. " Creating a strong sense of place goes a long way toward a-chieving that.
Recently, 260 Scottish people went to a deserted water plant_______.
A. to tour a newly-built military base
B. to watch a play about military life
C. to visit a military troop back home
D. to attend a military training program
听力原文:M: Mary, I'm sorry. They've just said they couldn't supply the tickets for the show this evening.
W: Oh! I was really looking forward to that. It's really a pity. I hope we can go there sometime next month.
How did the lady feel?
A. Very happy,
B. Greatly surprised.
C. Rather disappointed.
D. Very angry.
A.280 pounds per square inch.B.40.7 pounds per square inch.C.47 pounds per square inch
A. 280 pounds per square inch.
B. 40.7 pounds per square inch.
C. 47 pounds per square inch.
D. 14.7 pounds per square inch.