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Stage Two: ________--- He skipped on. His own name occurred less frequently. His interest slackened. Some of the entries conveyed nothing to him. (LL.122~123)

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Stage Three: _________--- Who was B.M.? He could not fill in the initials. (LL.124~125)

Stage Four: ___________--- So B. M. was a man -- no doubt one of those "intellectuals" as they call themselves, who are so violent, as Angela said, and so narrow-minded.--- Gilbert knew the type, and had no liking for this particular specimen, whoever B. M. might be.--- He could also see him quite distinctly -- a stubby little man, with a rough beard, red tie, dressed as they always did in tweeds, who had never done an honest day's work in his life. Surely Angela had the sense to see through him?

Stage Five: _________--- Could it have been his own name? … The thought added to his growing dislike of B. M. …Why had Angela never told him? It was very unlike her to conceal anything; she had been the soul of candour.--- Luckily" -- why luckily? …Where had he been that night?… And B. M. and Angela had spent the evening alone! He tried to recall that evening. Was she waiting up for him when he came back? Had the room looked just as usual? Were there glasses on the table? Were the chairs drawn close together?

Stage Six: _________--- It became more and more inexplicable to him -- the whole situation: his wife receiving an unknown man alone.--- There on the very first page was that cursed fellow again.--- the scoundrel had asked her to become his mistress. Alone in his room! The blood rushed to Gilbert Clandon's face.--- He had forced himself upon her in this very house? But why hadn't she told him? How could she have hesitated for an instant?

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