听力原文:M I'll have the tuna with rice and a salad.
W O.K. How would you like to have your fish cooked? We can grill it, bake it, pan-fry it, or blacken it like Cajun style.
M I'd like to have it grilled. Oh, and I'll have the ginger soy dressing with my salad.
W Good choice. Let me take your menus, and I'll be back with your drinks and appetizers.
What does the man order?
A. Fish
B. Lamb
C. Steak
D. Chicken
What will probably happen next?
A. The man will get a brochure.
B. The woman will look at other models.
C. The woman will purchase the appliance.
D. The man will explain financing options.
What does the woman offer to do?
A. Give the man a refund.
B. Send the man a confirmation.
C. Forward the complaint to her manager.
D. Call the man when his order has arrived.
Black, white and Asian children in this group show the same patterns. However, it is clear that blacks have been greatly overrepresented in the development of American popular music and greatly underrepresented in such fields as mathematics, science and engineering.
If the abilities required in analytical fields and in music are so closely related, how can there be this great discrepancy? One reason is that the development of mathematical and other such abilities requires years of formal schooling, while certain musical talents can be developed with little or no formal training, as has happened with a number of well-known black musicians.
It is precisely in those kinds of music where one can acquire great skill without formal training that blacks have excelled popular music rather than classical music, piano rather than violin, blues rather than opera. This is readily understandable, given that most blacks, for most of American history, have not had either the money or the leisure for long years of formal study in music.
Blacks have not merely held their own in American popular music. They have played a disproportionately large role in the development of jazz, both traditional and modern. A long string of names comes to mind—Louis Armstrong, Charlie Parker... and so on.
None of this presupposes any special innate (先天的) ability of blacks in music. On the contrary, it is perfectly consisted with blacks having no more such inborn ability than anyone else, but being limited to being able to express such ability in narrower channels than others who have had the money, the time and the formal education to spread out over a wider ranger of music, as well as into mathematics, science and engineering.
What is the main idea of the first paragraph?
A. Mathematical ability and musical ability are connected.
B. Mathematical ability has more to do with the brain than musical ability.
C. More people are good at music than math.
D. More research should be done into the relationship between mathematical ability and musical ability.