题目内容
John Keats's odes show a slow-paced, gracious movement, and a concreteness of description in which all the senses—tactile, gustatory, kinetic, as well as visual and auditory—combine to give the total apprehension of an experience.
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Under the richly sensuous surface, we find Keats’s characteristic presentation of all experience as a tangle of inseparable but irreconcilable opposites: melancholy in delight and pleasure in pain, the highest intensity of love as an approximation to death.
As an essayist, Charles Lamb is best known for two collections: Essays of Elia (1823) and The Last Essays of Elia (1833), consisting of a series of deeply autobiographical memoirs and essays.
William Hazlitt developed a fast-moving, hard-hitting prose in a style that he called “plain, point-blank speaking.” He wrote, indeed, nearly as fast as he talked, almost without correction and (despite the density of literary quotations) without reference to books or notes.
Hazlitt's writings and remarks on Shakespeare's plays and characters are rivaled only by those of Johnson in their depth, insight, originality, and imagination.
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