题目内容

A common result of being frustrated is an act of aggression, sometimes violent. To be alive is to have a goal and pursue it—anything from cleaning the house, or planning a vacation, to saving money for retirement. If somebody or something blocks the goal, we begin to feel pent up and thwarted. Then we get mad. The blocked goal, the sense of frustration, aggressive action—this is the normal human sequence. If we are aware of what is going on inside us, however, we can save ourselves a good deal of needless pain and trouble.
Everyone has encountered frustration on the highways. You are driving along a two-lane road behind a big trailer-truck. You're in a hurry, while the truck driver seems to be enjoying the scenery. After miles of increasing frustration you grow to hate him. Finally you step on the gas and pass him defiantly, regardless of the chance you may be taking. This kind of frustration must cause thousands of accidents a year. Yet, if you realized what was going on in your nervous system, you could curb such dangerous impulses.
The aggressive act that frustration produces may take a number of forms. It may be turned inward against oneself, with suicide as the extreme example. It may hit back directly at the person or thing causing the frustration. Or it may be transferred to another object— what psychologists call displacement. Displacement can be directed against the dog, the parlor furniture, the family or even total strangers.
A man rushed out of his front door in Brooklyn one fine spring morning and punched a passerby on the nose. In court he testified that he had had a quarrel with his wife. Instead of punching her he had the bad luck to punch a police detective.
Aggression is not always sudden and violent; it may be devious and calculated. The spreading of rumors, malicious gossip, a deliberate plot to discredit, are some of the roundabout forms. In some cases, frustration leads to the opposite of aggression, a complete retreat from life.
The classic pattern of frustration and aggression is nowhere better demonstrated than in military life. GIs studied by the noted American sociologist Samuel A. Stouffer in the last war were found to be .full of frustrations due to their sudden loss of civilian liberty. They took it out verbally on the brass, often most unjustly. But in combat, soldiers felt far more friendly toward their officers. Why? Because they could discharge their aggression directly against the enemy.
Dr. Karl Menninger, of the famous Menninger Foundation at Topeka, pointed out that children in all societies are necessarily frustrated, practically from birth, as they are broken into the customs of the tribe. A baby's first major decision is "whether to holler or swaller"—when it discovers that the two acts cannot be done simultaneously. Children have to be taught habits of cleanliness, toilet behavior, regular feeding, punctuality; habits that too often are hammered in.
Grownups with low boiling points, said Dr. Menninger, probably got that way because of excessive frustrations in childhood. We can make growing up a less difficult period by giving children more love and understanding. Parents in less civilized societies, Menninger observes, often do this. He quotes a Mohave Indian, discussing his small son: "Why should I strike him? He is small, I am big. He cannot hurt me."
When we do experience frustration, there are several things we can do to channel off aggression. First, we can try to remove the cause which is blocking our goal. An individual may be able to change his foreman, even his job or his residence, if the frustration is a continuing one.
If this cannot be done, then we can seek harmless displacements. Physical outlets are the most immediately helpful. Go out in the garden and dig like fury. Or take a long walk, punch a bag in the gym, make the pins fly in a bowling alley, c

A. overeating
B. suicide
C. hitting back directly
D. displacement

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听力原文: Secretary of State Colin Powell is urging the Palestinians to seize the opportunity that Israeli Prime Minister Sharon's proposed withdrawal from Gaza and parts of the West Bank offers them. In remarks following a meeting with the Palestinian Prime Minister in the Jordanian capital, Mr. Powell said the Sharon plan is a new opportunity. Ahmed Queria characterized his talks with Mr. Powell as very constructive and expressed optimism that a Palestinian state could still be achieved by next year. Mr. Powell was somewhat less optimistic on that front, saying there still remains much more to be done before that can be accomplished, but he did say Washington remains committed to the establishment of a Palestinian state. Efforts will continue Monday when Mr. Queria will meet with U.S. National Security Advisor Condoleezza Rice in Germany to discuss the Prime Minister Sharon plan.
This is the end of listening comprehension. Please proceed to the next part.
Which of the following statements is TRUE about Israeli Prime Minister Sharon's plan?

A. It proposes total withdrawal from Gaza and West Bank.
B. Powell welcomes the plan.
C. Palestinians think the plan is very constructive.
D. The plan paves 'way for a Palestinian state.

SECTION B INTERVIEW
Directions: In this section you will hear everything ONCE ONLY. Listen carefully and then answer the questions that follow. Questions 1 to 5 are based on an interview. At the end of the interview you will be given 10 seconds to answer each of the following five questions.
Now listen to the interview.
听力原文:Host: Today, I'm very happy to have professor Pornchai with me. He is a watercolor artist who uses coffee in his paintings. Professor, how did you get the idea of using coffee to paint? And how long have you been doing this?
Pornchai: I always have painted in watercolor and have painted professionally for over 15 years. About 6 years ago I started experimenting with using coffee in my paintings. Originally, I heard that in the old days the Chinese used tea to help create a brown background in their paintings. I then tried to use both tea and coffee in my paintings. My main purpose was to create an old-look in the paintings by using the brown color of tea and coffee. Later on, I tried to paint the whole painting with teas but did not get pictures that I felt satisfied with. Tea can not be used to give you clear lines or create the depth-of-field in the painting. I experimented with coffee and, after many tries, could create paintings that I felt satisfied with.
Host: Have you tried to paint with any other unusual medium?
Pornchai: Yes, I tried Sodium Permanganate. It is the purple liquid that is used to soak vegetables to destroy bacteria and parasites in the tropics. When I first painted using a mix of sodium permanganate and water, the color came out purple. It then turned to different shades of brown. I was satisfied with the brown colors it gave, but after completing the paintings for 2 to 3 months I found out that the lines and brush stokes I made with Sodium Permanganate disappeared from the paper!
Host: How hard is it to use coffee to paint compared to normal watercolor paint?
Pornchai: First of all, the texture of the coffee is a challenge. It has more elastic properties than normal paint. It is stickler when you apply it with the brush. You have to use the right amount of water to dilute the coffee right on the paper for the lighter brown or whiter areas. It was also harder to control the lines, color tones and the flow of liquid on the paper. Furthermore, coffee also displayed glittering flakes in itself and left unwanted traces of this in the paintings. I had to use special techniques to control these flakes on the paper. Another big problems was that after the coffee paintings are completed the painting can mold easily. Furthermore, the color on the paintings can peel off from the paper. Through years of experimenting, I found ways to overcome these problems but it was not easy.
Host: If coffee is so hard to paint with, why do you continue to do so?
Pornchai: I kept on trying because it seemed like a great challenge for me. Coffee gave a unique effect through the stain it left on the paper and the unique flow of water mixed with coffee is unpredictable. All of this is a challenge, which I had to strive to solve.
Host: What themes are you using coffee to paint?
Pornchai: Mostly old-time scenes or history themes. I also paint landscape like the ocean, forest or building scenes.
Host: What is the potential of this kind of painting in the market? And what have been the public' s reactions to this way of paintings?
Pornchai: I had my first show of coffee painting in 1998. Over 600 guests attended the exhibition and most of the paintings were sold. The people enjoyed the new idea in art and the unique quality that it produced. I think the viewers found that it was interesting to use something close to them that they see or use daily, like coffee, to apply in the art form.
Host: What is your future plan and what are your new challenges?
Pornchai: I plan to use different themes to my coffee paintings, for example: pictu

A. He got some inspiration from the Chinese.
B. He used tea to get an unsophisticated look for his paintings.
C. Tea could not produce clearly-defined paintings.
D. He experimented with coffee many times before he felt satisfied.

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A. 正确
B. 错误

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A. 正确
B. 错误

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