题目内容
Wordsworth’s guilt over the abandonment of his French lover and daughter, his divided loyalties between England and France, and his gradual disillusion with the course of the Revolution brought him to the verge of an emotional breakdown.
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Wordsworth deliberately chose to represent “incidents and situations from common life,” he translated his democratic sympathies into critical terms, justifying his use of peasants, children, outcasts, criminals, and madwomen as serious subjects of poetic and even tragic concern.
In Biographia Literaria, Coleridge raised the stakes for literary criticism, making it into a kind of writing that could address the most difficult and abstract questions—the relations between literary language and ordinary language, or between poetry and philosophy, or between fancy and imagination.
“Kubla Khan” consists of strange, dream-like imagery, beginning with a description of a mythical palace built by Kubla Khan, and moving rapidly into a vortex of imaginative and seemingly unrelated scenes.
In stark contrast to Wordsworth's poems, Coleridge's project involves a wild and truly imaginative universe, where seemingly impossible and supernatural things happen.
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