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听力原文：W: I'd like to enroll in the free seminar you advertised in the newspaper. The one on managing your personal finances.
M: OK. Now the ad did say that you have to have a savings account at our bank to be eligible. Do you have one here？
Q: What does the man want to know？
(19)
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听力原文：W: I used to be afraid of heights. Every time I was in a tall building or on a bridge, my knees would begin to shake.
M: I had the same problem until I took up mountain climbing.
Q: What did the man and woman say about heights？
(14)
Cigarette Makers See Future (It's in Asia)
—By Philip Shenon
New York Times Service
The Marlboro Man has found greener pastures.
The cigarette-hawking (兜售香烟的) cowboy may be under siege back home in the United States from lawmakers and health advocates determined to put him out of business, but half a world away, in Asia, he is prospering, his craggy (毛糙的) all-American mug slapped up on billboards and flickering across television screens.
And Marlboro cigarettes have never been more popular on the continent that is home to 60 percent of the world's population.
For the world's cigarette-makers, Asia is the future. And it is probably their savior.
Industry critics who hope that the multinational tobacco companies are headed for extinction owe themselves a stroll down the tobacco-scented streets of almost any city in Asia.
Almost everywhere here the air is thick with the swirling gray haze of cigarette smoke, the evidence of a booming Asian growth market that promises vast profits for the tobacco industry and a death toll measured in the tens of millions.
At lunchtime in Seoul, throngs of fashionably dressed young Korean women gather in a fast-food restaurant to enjoy a last cigarette before returning to work, a scene that draws distressed stares from older Koreans who re member a time when it would have been scandalous for women from respectable homes to smoke.
In Hong Kong, China, shoppers flock into the Salem Attitudes boutique (时装商店), picking from among the racks of trendy sports clothes stamped with the logo of Salem cigarettes.
In Phnom Penh(金边), the war-shattered capital of Cambodia, visitors leaving an audience with King Sihanouk are greeted with a giant billboard planted right across the street from his ornate (装饰华丽的) gold-roofed pal ace. It advertises Lucky Strikes.
According to tobacco industry projections cited by the World Health Organization, the Asian cigarette market should grow by more than a third during the 1990s, with much of the bounty going to multinational tobacco giants eager for an alternative to the shrinking market in the United States.
American cigarette sales are expected to decline by about 15 percent by the end of the decade, a reflection of the move to ban public smoking in most of the United States. Sales in Western Europe and other industrialized countries are also expected to drop.
But no matter how bad the news is in the West, the tobacco companies can find comfort in Asia and throughout the Third World, markets so huge and so promising that they make the once all-important American market seem insignificant. Beyond Asia, cigarette consumption is also expected to grow in Africa, Latin America, Eastern Europe and in the nations of the former Soviet Union.
Status appears to matter far more than taste. "There is not a great deal of evidence to suggest that smokers can taste any difference between the more
expensive foreign brands and the indigenous (本地产的) cigarettes," said Simon Chapman, a specialist in community medicine at the University of Sydney. "The difference appears to be in the packaging, the advertising."
He said that researchers had been unable to determine whether the foreign tobacco companies had adjusted the levels of tar, nicotine and other chemicals for cigarettes sold in the Asian market. "The tobacco industry fights tooth and nail to keep consumer
Accurate, legible notes are invaluable aids to the student who is enrolled in a lecture course. Notes should be taken during lectures, and when the student is reading the texts prior to each session of the course. The key to good note-taking is to be able to listen a lot and to write only as much as is needed to re cord the essence of a point or idea presented by the lecturer. Thus, students should endeavor to identify only the main points and ideas being presented and to write them down in outline form. They should also strive to take good notes the first time and not play to recopy notes--or to do so only when clarity and conciseness demand it. Finally, they should review their notes for about five minutes on the same day that they take them, and go over them again for about half an hour at least once a week, according to a regular schedule or play. There are no course syllabus to be memorized; instead, the examinations will be based on the material presented in the lectures and textbooks.
What is the main idea of the first paragraph？
An Organization that Supports the Arts
Aside from perpetuating itself, the sole purpose of the American Academy and Institute of Arts and Let ters is to "foster, assist and sustain an interest" in literature, music, and art. This it does by enthusiastically handing out money. Annual cash awards are given to deserving artists in various categories of creativity: architecture, musical composition, theater, novels, serious poetry, light verse, painting, sculpture. One award subsidizes a promising American writer' s Visit to Rome. There is even an award for a very good work of fiction that failed commercially--once won by the young John Updike for The Poorhouse Fair and, more recently, by Alice Walker for In Love and Trouble.
The awards and prizes are total about 750,000 a year, but most of them range in size from 5,000 to 12,500, a welcome sum to many young practitioners whose work may not bring in that much money in a year. One of the advantages of the awards is that many go to the struggling artists, rather than to those who ire already successful. Members of the Academy and Institute are not eligible for any cash prizes. Another advantage is that, unlike the National Endowment for the Arts or similar institutions throughout the world, there is no government money involved.
Awards are made by committee. Each of the three departments -- Literature (120 members), Art (83), Music (47)--has a committee dealing with its own field: Committee membership rotates every year, so that new voices and opinions are constantly heard.
The most financially rewarding of all the Academy - Institute awards are the Mildred and Harold Strauss Livings. Harold Strauss, a devoted editor at Alfred A. Knopf, the New York publishing house, and Mildred Strauss, his wife, were wealthy and childless. They left the Academy - Institute a unique bequest: for five consecutive years, two distinguished (and financially needy)writers would receive enough money so they could devote themselves entirely to "prose literature" (no plays, no poetry, and no paying job that might distract). In 1983, the first Strauss Livings of 35,000 a year went to short - story writer Raymond Carver and novelist- essayist Cynthia Ozick. By 1988, the fund had grown enough so that two winners, novelists Diane Johnson and Robert Stone, each got 50,000 a year for five years.
Which of the following can be inferred about Alice Walker' s book In love and Trouble？
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