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People sell and buy things there.

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You might have to go back to the initial epoch printing press to find a publishing technology as disruptive. The internet can reproduce content and distribute it almost anywhere at nearly light speed. You can call it the perfect copying machining—with an out tray to everyone.
And that's the trouble. (1) For any creator of "intellectual property" —text, software, music, video, and so on—the internet is challenging the fundamental notion of who owns the content and how it can be used. This week, the issue reached the United States Supreme Court in a case that may go a long way toward deciding what rights creators have. The issue isn't clear cut.
(2) Protect the creators too much and it may inhibit technological progress and chill artistic expression, some argue. Others say the technology and culture of sharing electronic files has made the philosophy of "all rights reserved" outdated. What's needed, some observers urge, is a new copyright that recognizes a middle ground between all rights and no rights to a work of art.
In court, the big music and film companies "can win every single case, but they can't put the genie back in the bottle because people have discovered that they have the tools of participation," says Andrew Zolli, founder of Z+Partners Company. (3) What the internet has done is wrest away from a few producers the ability to sell scarce goods to a large group of consumers through expensive and highly controlled channels, he adds, such as when three commercial networks controlled what TV viewers saw in the 1960s. (4) Now everyone with access to a computer has the tools to produce as much media products—if not more—than they consume.
(5) Indeed, the internet hasn't only made copying easy, it also has helped foster a culture in which some artists create new work by literally reusing or remixing the work of others. Hip-hop music, built on the idea of "sampling" the beats or sounds of earlier music, is the most obvious of several examples. "The very works that we seek to copyright are built from found objects of other cultural products," Mr. Zolli says.
(76)

People prepare meals there.

阅读以下说明和Java代码，填补空缺。
[说明]
java.util库中提供了Vector模板类，可作为动态数组使用，并可容纳任意数据类型。
该类的部分方法说明如下所示：
方法名含义
add(k) 向vector对象的尾部添加一个元素k
removeElementAt(i) 删除序号为i的元素(vector元素序号从0开始)
isEmpty() 判断vector对象是否含有元素
size() 返回vector对象中所包含的元素个数
[Java代码]
Import __;
public class JavaMain {
static private final int =6;
public static void main(String[]args) {
Vector theVector=new Vector＜ _ ＞();
//初始化theVector，将theVector的元素设置为0至5
for(int cEachItem=0; cEachItem＜ARRAY_SIZE; cEachItem++)
theVector. add( );
showVector(theVector); //依次输出theVector巾的元素
theVector. removeElementAt(3);
showVector(theVector);
}
public static void showVector(Vector theVector){
if(theVector. isEmpty()){
System.out.printin("theVector is empty.");
return;
}
for(int loop=0; loop＜theVector.size(); loop++) {
System.out.print(theVector.get(loop));
System.out.print(",");
}
System.out.printin();
}
}
该程序运行后的输出结果为：
0, 1, 2, 3, 4, 5
___

某工程项目，系一钢筋混凝土框架结构多层办公楼，施工图纸已齐备，现场已完成三通一平工作，满足开工条件。该工程由业主自筹建设资金，实行邀请招标发包。
业主要求工程于2000年5月1日开工，至2001年4月30日完工，总工期为1年，共计365个日历天。按国家工期定额规定，该工程的定额工期为395个日历天。
该工程的质量等级定为合格，业主要求尽量达到优质。达到优质则业主另付施工单位合同价
3%的优质优价奖励费。
某监理单位承担了该项目实施阶段的全过程监理工作，其监理规划已得到业主的认可以及相应的授权。
问题：
本工程向招标管理部门申请招标以前，监理工程师应协助业主取得以下哪些项批准手续及
证明：
招标工程已列入地方的基建计划，取得当地发改委下达的计划批文；
建设工程投资许可证；
建设用地规划许可证；
施工许可证；
房屋产权证；
契税完税证明。
2．根据该工程的具体情况，简述监理工程师为业主编制的招标文件中，应包括哪些基本内容？
3．根据该工程的具体条件，监理工程师宜向业主推荐采用哪种计价方式的合同格式。为什么？
4．根据该工程的特点及业主的具体要求，在工程的标底中是否应增加赶工措施费？为什么？
5．简述监理工程师对投标单位进行资质审查应包括哪些主要内容？
6．本工程在业主与施工单位签订《建设工程施工合同》时，预定按工程合同价款的5%由业主预留工程保证金，待工程竣工后双方再行结算。此保证金业主应如何扣留？
7．该工程由于设计变更致使工期延长两个月(由2001年4月30日至2001年6月29日)，延长的工期正值雨季施工。因此，竣工结算时施工单位应向业主提出索赔雨季施工增加费。试问监理工程师对索赔要求应如何提出评审意见。