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听力原文:W: What are the flowers for, Richard?
M: Five years of happiness. Happy anniversary.
W: But our anniversary isn't until Saturday.
M: I couldn't wait. Besides, we are not going to be here Saturday.
W: Where are we going to be?
M: If you had your choice of all the places in the world, where would you choose to spend our anniversary?
W: The Watermill Inn. I loved that place when we went on our honeymoon.
M: Perfect! You picked the right place.
W: I don't understand.
M: You and I are going to spend a second honeymoon at the Watermill Inn.
W: Oh, Richard! That's wonderful, but...
M: No buts, absolutely not. The world's greatest grandmother, Mrs. Ellen Stewart, has agreed to take care of him for the weekend.
W: But isn't that too much to ask of your mother?
M: Too much? She loves taking care of Max.
W: But... I'll miss him.
M: Well, we'll phone every hour, and you can listen to him over the phone. Come on. Honey, it's time you and I had a romantic weekend alone together. We've earned it. What do you say?
W: It does sound tempting. You're right. We've earned it.
M: Great! I'll make a reservation fight now. Remember that wonderful little balcony where we had our meals... with a view of the Hudson River?
W: How could I forget?
M: My mom is available to baby-sit this weekend.
W: Well, OK. Check if they have a room.
M: I've already made arrangements. Right! You and I are going to have a wonderful, romantic weekend!
(23)

A. Two years.
B. Three years.
C. Five years.
D. Eight years.

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听力原文: You may remember that a few weeks ago, we discussed the question of what photography is. Is it art, or is it a method of reproducing images? Do photographs belong in museums or just in our homes? Today I want to talk about a person who tried to make his professional life an answer to such questions.
Alfred Stieglitz went from the United States to Germany to study engineering. While he was there, he became interested in photography and began to experiment with his camera. He took pictures under conditions that most photographers considered too difficult—he took them at night, in the rain, and of people and objects reflected in windows. When he returned to the United States, he continued these revolutionary efforts. Stieglitz was the first person to photograph skyscrapers, clouds, and views from an airplane.
What Stieglitz was trying to do in these photographs was what he tried to do throughout his life: make photography an art. He felt that photography could be just as good a form. of self expression as painting or drawing. For Stieglitz, his camera was his brush. While many photographers of the late 1800's and early 1900's thought of their work as a reproduction of identical images, Stieglitz saw his as a creative art form. He understood the power of the camera to capture the moment. In fact, he never retouched his prints or made copies of them. If he were in this classroom today, r m sure he'd say, "Well, painters don't normally make extra copies of their paintings, do they?"
(30)

A. How to analyze photographic techniques.
B. How to define photography.
C. How Alfred Stieglitz contributed to the history of photography.
D. Whether photography is superior to other art forms.

What is the author's attitude towards Tek Xam?

A. Objective.
B. Hesitant.
C. Supportive.
D. Negative.

A.He thought the copying process took too long.B.He considered each photograph to be u

A. He thought the copying process took too long.
B. He considered each photograph to be unique.
C. He didn't have the necessary equipment for reproduction.
D. He didn't want them to be displayed outside of his home.

A.The man's mother.B.They take him with them.C.The woman's motherD.A baby-sitter.

A. The man's mother.
B. They take him with them.
C. The woman's mother
D. A baby-sitter.

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