题目内容

Many people in the literary would say that British literature has lost its【C1】______nowadays. Many others【C2】______with this opinion. But what is not【C3】______doubt is that a lot of the exciting new literature published in Britain in recent years【C4】______been written by people from outside Britain. Since 1981, nine of the fourteen winners of the Booker Prize, an important prize【C5】______a work of fiction, were writers from【C6】______British colonies like India.
【C7】______many of the best 'serious' British writers manage to be popular as well as pro found, the vast【C8】______of the books could not be classified as 'serious' literature. Britain is the home of【C9】______might be called 'middlebrow' literature.(That is, mid-way between serious and popular fiction)Many British authors write novels【C10】______as 'romances' , one of the middlebrow types. The British publisher which sells more books than any other is Mills & Boon,【C11】______books are exclusively【C12】______this type.
Poetry at the end or the twentieth century is【C13】______popular in Britain after it stopped being the normal【C14】______of literary self-expression 200 years ago. Books for poetry sell【C15】______comparatively large numbers. Their sales are not【C16】______as large as sales of novels, but they are large【C17】______for a few small publishers to【C18】______entirely on publishing poetry. Many of these poems are not academics and they are【C19】______to non-specialists. Perhaps the 'pop' idiom and the easy【C20】______of sound recording have made more people comfortable with spoken verse.
【C1】

A. route
B. road
C. path
D. way

查看答案
更多问题

A.goodB.wellC.nice

A. good
B. well
C. nice

The Victoria Hotel will become similar to other hotels in the chain.

A. Right
B. Wrong
C. Doesn't say

But that is precisely the trouble; for as far as I can see, Mozart's can. Mozart makes me begin to see ghosts, or at the very least ouija-boards. If you read Beethoven's letters, you feel that you are at the heart of a tempest, a whirlwind, a furnace; and so you should, because you are. If you read Wagner's, you feel that you have been run over by a tank, and that, too, is an appropriate response.
But if you read Mozart's—and he was a hugely prolific letter-writer—you have no clue at all to the power that drove him and the music it squeezed out of him in such profusion that death alone could stop it; they reveal nothing—nothing that explains it. Of course it is absurd(though the mistake is frequently made)to seek external causes for particular works of music; but with Mozart it is also absurd, or at any rate useless, to seek for internal ones either. Mozart was an instrument. But who was playing it?
That is what I mean by the Mozart Problem and the anxiety it causes me. In all art, in anything, there is nothing like the perfection of Mozart, nothing to compare with the range of feeling he explores, nothing to equal the contrast between the simplicity of the materials and the complexity and effect of his use of them. The piano concertos themselves exhibit these truths at their most intense; he was a greater master of this form. than of the symphony itself, and to hear every one of them, in the astounding abundance of genius they provide, played as I have so recently heard them played, is to be brought face to face with a mystery which, if we could solve it, would solve the mystery of life itself.
We can see Mozart, from infant prodigy to unmarked grave. We know what he did, what he wrote, what he felt, whom he loved, where he went, what he died of. We pile up such knowledge as a child does bricks; and then we hear the little tripping rondo tune of the last concerto—and the bricks collapse; all our knowledge is useless to explain a single bar of it. It is almost enough to make me believe in — but I have run out of space, and don't have to say it. Put K. 595 on the gramophone and say it for me.
According to Paragraph 1, Cardus observed that ______ .

A. a composer can separate his language and harmonies from his own mind and sensibility
B. a composer can separate his language and harmonies from the mind and sensibility of an artist
C. some people can separate the language and harmonies of a composer from his mind and sensibility
D. the language, harmonies, rhythms, melodies, colors and texture of a composer cannot be separated from each other

下列关于股东代表诉讼的说法正确的是哪项?()A.有限责任公司中连续180日以上持有1/10以上表决权的下列关于股东代表诉讼的说法正确的是哪项?()

A. 有限责任公司中连续180日以上持有1/10以上表决权的股东才有权提起代表诉讼
B. 《公司法》规定股东提起代表诉讼的,人民法院可以应公司的请求,要求股东提供相应担保
C. 股东虽然是以自己的名义向人民法院提起诉讼,但诉讼所得的收益应当归公司所有
D. 上市公司的监事将其持有的本公司股票卖出后6个月内又买入,公司董事会却未将其所得收益收归公司,公司股东要求董事会对该收益行使公司归入权的,即使董事会对此项要求拒绝执行满30日,股东也无权提起代表诉讼

答案查题题库