题目内容
With the coming of the 1950s, a new generation of poets, including Donald Davie, Thom Gunn, and Philip Larkin, reacted against what seemed to them the verbal excesses and extravagances of Dylan Thomas and Edith Sitwell, as well as the arcane myths and knotty allusiveness of Yeats, Eliot, and Pound.
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Since the 1980s the spectrum of Britain’s poets has become more diverse in class, ethnicity, gender, and region than ever before, introducing a range of voices into the English literary tradition.
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The twentieth century’s novels through the 1920s is usually called the high modernism.
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