题目内容
听力原文： Once again, US network television finds itself turning society's worst nightmares into a night of entertainment "you'll never forget."
The season finale of top - rated prime - time drama "ER" last week centred on the show' s doctors and nurses struggling to save several bloodied young gunshot victims after an angry father goes on a rampage at a foster care facility.
A night earlier, "Law & Order" drew the highest ratings of it 11 -year history with a ripped-from-the-leadlines episode about a high school cafeteria shooting and the trial of the teenage gunman, with faux home video footage of the killings.
And this Monday, a third NBC drama, "Third watch," wrapped its second season with police and paramedics rushing to the scene of yet another fictional high school massacre.
Media experts chalk it all up to the fierce rivalry of the current ratings "sweeps," combined with TV dramas' growing tendency to transform. news into fiction and the recent spate of real-life school violence making headlines.
For action and pathos, it is hard to beat the "ER', scene of emergency physicians scurrying to resuscitate a young girl lying limp on a hospital gallery, with sheets soaked in blood from a gunshot wound to her head, before they finally, somberly, declare her death and snap off their rubber gloves.
"It's gripping and it's disturbing," "Robert Universiy's centre for the study of popular television, said. Television is kind of the way that the entire collective subconscious of our culture plays out these issues".
Joseph Turow, a communications professor at the University of Pennsylvania and author of several books on the mass media, said the line between reality and fiction has be- come increasingly blurred on network TV.
"Viewers see multiple versions of the same reality, first on news programmes, then on so-called news magazines and then on entertainment shows like ER' and Law & Order," he said. "Some studies suggest that after a while, people won't be able to tell where they've gotten their information from."
Dramatic TV portrayal of children as victims of violence, neglect and abuse is nothing new. A famous episode of "Dragnet" in the 1960s depicted a couple who allowed their young child to drown in a bathtub while they were smoking pot.
It has been nearly 20 years since the real-life abduction and murder of Florida boy Adamwalsh was dramatized on the NBC TV movie "Adam," helping to publicize a case that turned the issue of missing children into a national crisis.
Now, the horror of kids being gunned down in schools and day care centers is on the public's mind, the latest grist for networks trying to grab viewers with “unforgettable” episodes of their favorite shows. "We're a show that has a long history of looking at the criminal justice system as it occurs," said Barry Schindel, executive producer and head writer of "Law & Order." "If we didn't do the show, people would be asking, why aren't your characters considering the events of a school shooting？"
The timing is hardly coincidence. Schindel said a flurry of school violence in southern California and elsewhere in early March caught the attention of "Law & Order" writes-- and probably those on other shows--at about the time they were brain storming ideas for the end of the current season.
Which programme is season finale top-rated prime-time drama？
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SECTION C NEWS BROADCAST
Directions: In this section you will hear everything ONCE ONLY. Listen carefully and then answer the questions that follow. At the end of each news item, you will be given 10 seconds to answer the questions.
听力原文： At least 11 people died yesterday when a train struck a bus on a level crossing in Russia's Baltic enclave of Kaliningrad, the Interfax news agency reported.
Anatoly Klimov, deputy head of the local transport police, said an initial investigation indicated the bus went past a stop sign at the level crossing and was hit by an oncoming train.
Nine bus passangers were killed in the Collision, near the village of Ovrazhroye in the Kaliningrad region. Two more later died from their injuries and 17 were being treated in hospital. It was unclear whether the driver was among the victims.
"It is difficult to give the precise number of victims because there are a lot of body parts at the scene, and their identification will be difficult," Klimov said.
How did this accident happen？
Which of the following experimental results, if observed, would most clearly contradict the findings of Victor Emmer？
As a psychotherapist with many patients in their 20's, I can ______ the fact that not only
Ricci's "Operation Columbus"
Ricci, 45, is now striking out on perhaps his boldest venture yet. He plans to market an English - language edition of his elegant monthly art magazine, FMR, in the United States. Once again the skeptics are murmuring that the successful Ricci has headed for a big fall. And once again Ricci intends to prove them wrong.
Ricci is so confident that he has christened his quest "Operation Columbus" and has set his sights on discovering an American readership of 300,000. That goal may not be too far -fetched. The Italian edition of FMR -- the initials, of course, stand for Franco Maria Ricci -- is only 18 months old. But it is already the second largest art magazine in the world, with a circulation of 65,000 and a profit margin of US 500, 000. The American edition will be patterned after the Italian version, with each 160 -page issue carrying only 40 pages of ads and no more than five articles. But the contents will often differ. The English - language edition will include more American works, Ricci says, to help Americans get over "an inferiority complex about their art." He also hopes that the magazine will become a vehicle for a two - way cultural ex- change -- what he likes to think of as a marriage of brains, culture and taste from both sides of the Atlantic.
To realize this vision, Ricci is mounting one of the most lavish, enterprising -- and expensive — promotional campaigns in magazine -publishing history. Between November and January, eight jumbo jets will fly 8 million copies of a sample 16 -page edition of FMR across the Atlantic. From
a warehouse in Michigan, 6. 5 million copies will be mailed to American subscribers of various cultural, art and business magazines. Some of the remaining copies will circulate as a special Sunday supplement in the New York Times. The cost of launching Operation Columbus is a staggering US' 5 million i but Ricci is hoping that 60% of the price tag will be financed by Italian corporations. "To land in America Columbus had to use Spanish sponsors,“ reads one sentence in his promotional pamphlet. "We would like Italians.'"
Like Columbus, Ricci cannot know what his reception will be on foreign shores. In Italy he gambled and won -- on a simple concept: it is more important to show art than to write about it. Hence, one issue of FMR might feature 32 full - color pages of 17th - century tapestries, followed by 14 pages of outrageous eyeglasses. He is gambling that the concept is exportable. "I don't expect that more than 30% of my readers ... will actually read FMR," he says. "The magazine is such a visual delight that they don't have to." Still, he is lining up an impressive stable of writers and professors for the American edition, including Noam Chomsky, Anthony Burgess, Eric Jong and Norman Mailer. In addition, he seems to be pursuing his own eclectic vision without giving a moment's thought to such established competitors as Connoisseur and Horizon. "The Americans can do almost everything better than we can," says Ricci, "But we (the Italians) have a 2,000 year edge on them in art."
Ricci intends his American edition of FMR to carry more American art works in order to _____.
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