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有限合伙企业的有限合伙人转变为普通合伙人的，对其作为有限合伙人期间有限合伙企业发生的债务承担无限连带责任。 ()
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Many scholars have been lured into a fascination with the extinct demimonde of dime museums, exhibition hails, saloons, and industrial exhibitions. During this period entertainment relied upon artful deception, comparable in importance to such contemporary forms of amusement as minstrelsy and melodrama. The cultural activities were forms of representational play in which spectators are caused to doubt their perceptions and judgment. Entertainments that tricked, or duped the paying public flourished in America's cities in the 19th century. What distinguished these cohorts of entertainers, was not their ability to perpetrate fraud but that they understood the dynamics of a new urban audience that enjoyed distinguishing the genuine from the fake and the authentic from the concocted. The willing audience for artful deceptions maintained a double consciousness in which it simultaneously marveled at the qualities of the object or action displayed while enjoying the act of appraising the quality, audacity, and performance of the deception.
By offering semiotic analyses of a range of Victorian performances, we learn there was more to these exhibitions than appeared at first viewing. The tricks and lures of these entertainers deserve a more than marginal position in American cultural history.
The author thinks current entertainment is relatively poor because
在破产程序中，债权人会议主席由人民法院指定产生，而不是由债权人会议选举产生。 ()
甲公司的债务人乙在甲公司的破产案件被人民法院受理后，取得他人对甲公司的债权。乙可以用该债权与其欠甲公司的债务进行抵销。 ()
在银行汇兑业务中，原收款人转汇的，转汇的收款人必须是原收款人。 ()
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