战笔描的运笔核心是时刻保持The key to moving the
brush to draw the tremulous line is（）战笔描的运笔核心是时刻保持The key to moving the
brush to draw the tremulous line is（）
A. 藏锋reserved brush tip
B. 侧锋slanting brush
C. 中锋centering brush tip
D. 逆锋reversed brush tip
查看答案
下列说法正确的有 The following
statements are correct（）下列说法正确的有 The following
statements are correct（）
A. 《女史箴图》采用高古游丝描The line of Admonition of the Imperial Instructress is gossamer line
B. 《女史箴图》是一幅工笔重彩作品Admonition of the Imperial Instructress is a fine outline and heavy washes of color picture
C. 《女史箴图》作者是吴道子The authors of Admonition of the Imperial Instructress are Wu Daozi
D. 《女史箴图》绘画的是曹植和洛神的爱情故事The Admonition of the Imperial Instructress tells the love story of Cao Zhi and Luo Shen
高古游丝描的特点有The features of the
archaic gossamer line are（）高古游丝描的特点有The features of the
archaic gossamer line are（）
A. 线条纤细slenderness of line
B. 循环往复circular or
C. reciprocal motion
D. C．绵延不息unbroken continuity
E. D．变化多样variegated changes
顾恺之的《女史箴图》用的描法为The drawing technique
in Gu Kaizhi’s Admonition of the Imperial Instructress is（）顾恺之的《女史箴图》用的描法为The drawing technique
in Gu Kaizhi’s Admonition of the Imperial Instructress is（）
A. 行云流水描scudding-cloud-and-running-water
B. line
C. B．高古游丝描gossamer line
D. C．琴弦描zither string line
E. D．秃笔撅头描split brush line
下列哪些描法是由吴道子“吴带当风”演变而来Which of the
techniques evolved from Wu Daozi’s “drapery blowing in the wind”（）下列哪些描法是由吴道子“吴带当风”演变而来Which of the
techniques evolved from Wu Daozi’s “drapery blowing in the wind”（）
A. 钉头鼠尾描nail-head and
B. mouse-tail line
C. B．兰叶描orchid leaf line
D. C．高古游丝描archaic gossamer line
E. D．枣核描jujube pit line
微信支付 
支付宝支付