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In this beauty-conscious nation, which has the world's second-highest rate of anorexia, many are partially blaming the country's clothing industry for offering only tiny sizes of the latest fashions. The result is a dangerous paradox of girls and women adapting to the clothes rather than clothes adapting to them. The Argentine legislature is considering whether to force clothing manufacturers to cover "all the anthropometric measurements of the Argentine woman" up to extra large size. The bill also addresses the related problem of so-called "tricky" labeling in which S, M, and L designations vary by brand and are smaller than international standards.
The proposal has raised eyebrows in a historically flirtatious society skeptical of government and well known for its obsession with beauty. "Argentina has the world's highest rates of aesthetic surgery", says Mabel Bello, founder of the Association for the Fight against Anorexia. "When you are talking about how preoccupied with beauty our society is, that is the most telling statistic".
For experts such statistics spell futility for legal remedies. "These types of laws are not going to cause lasting changes", says Susana Saulquin, a sociologist of fashion. "A better way to address the problem is through public education that emphasizes balanced eating habits over an unrealistic ideal of beauty". Currently, companies try to preserve brand image by catering to young and extremely thin customers, but over time, she believes, a more balanced view of beauty will emerge.
For their part, industry groups condemn the hill as overreaching state intervening. They say their business decisions are guided by consumer demand. "We are not in favor of anything that regulates the market", says Laura Codda, a representative of major clothing manufacturers. "Every clothing company has the right to make anything they can sell—any color, any sizes". She says her group is not opposed to measures that would standardize sizing, but she notes that many, if not most, clothes in Argentine stores already carry the numerical designations called for in the bill.
If history is a guide, the fate of the proposed law is somewhat bleak. However, in 2005, the provincial government of Buenos Aires managed to pass a similar law—although the governor failed to sign it.
What kind of women do "curvaceous women"(Para. 1) most probably refer to？
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在窗体上画一个名称为Command1 的命令按钮和一个名称为Text1的文本框，然后编写如下程序： Private
By "...is there a lack of creative talent on a par with Miyazaki..."(Paragraph 2) the author means
Yet Japan's animators are full of gloom. They fear that the future is bleak and that the success enjoyed by Miyazaki and Studio Ghibli, which makes his films, is actually masking a sad decline. Industry experts say that not only is there a lack of creative talent on a par with Miyazaki, but the overall standard of animators has fallen over the past decade as low pay and poor working conditions force many to quit. "Miyazaki can't be replaced, he's a one-off", says Jonathan Clements, a British animation expert, "Miyazaki isn't 100 percent of Ghibli, but when he goes, the party is over".
The creative and commercial success enjoyed by Ghibli has afforded it a unique breathing space. For other studios, however, commercial pressures force work to be done at breakneck speed and on shoestring budgets. Veterans of the industry say quality has been sacrificed as television cartoon episodes are 'made for as little as ￡10,000.
Many young animators rely on parental support to put them through animation schools and continue to need financial help just to afford to work in Tokyo, the world's most expensive city. Yet, remarkably, animation has little problem attracting recruits. Dozens of students pore over desks painstakingly producing page after page of drawings. Most say they are aware that pay is low but desperately want to work in the industry they fell in love with as children through cartoons such as Doraemon, the blue talking cat, and Battle of the Planets. But reality often bites as animators reach their thirties, by which time they typically earn around a third of the average pay for Japanese their age and at lower hourly rates than supermarket clerks.
Clements believes that the soul of animation is at stake. "Animation is, by definition, from Japan, but it's only a matter of time before the number of foreign contributors tips the balance, and what used to be animation becomes plain old cartoons", he says. "It may ultimately remove much of what makes animation appeal to its current foreign audience base: its exoticism".
For the time being, Japan's animation industry is
The double meaning of the word "sinister" refers to
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