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To celebrate the anniversary the original cast members reassembled, rehearsed for two days and performed the show in a semi-staged version at the Nederlander on Monday. The event was a benefit for the New York Theater Workshop, for Friends in Deed (a support organization that gave comfort to several of Mr. Larson's friends dealing with H.I.V. infections), and for the Jonathan Larson Performing Arts Foundation, which was set up by his family after the enormous success of "Rent".
Before the performance, the co-chairmen of the benefit told the star-studded audience that more than $2 million' had been raised. Also addressing the crowd were Senator Charles E. Schumer and Mayor Michael R. Bloomberg, who praised "Rent" as a timeless work exemplifying "culture, community and creativity", in the mayor's words, and saluted the show's vast contributions to New York's theatrical life.
Once again you could only think, "Would Jonathan ever have imagined all this?" Mr. Larson, who wrote the music, lyrics and books for his stage works, struggled for more than 10 years to get a producer to take a shot at one of his shows. Now he was being posthumously thanked for giving Broadway a creative and economic boost. "Rent" is the seventh longest running show in Broadway history.
I count myself among those who were personally affected by Mr. Larson's work. Because of the inadvertent role I played in the last hours of his life. In 1996 an editor at The Times tipped me off to the opening of a rock musical, inspired by. "La Boehme", which transplanted Puccini's struggling bohemians from Paris in the 1830's to the 'East Village in 1990's. So on Jan. 24 I went to the New York Theater Workshop m see the dress rehearsal of "Rent", which was scheduled to open in February.
That performance was pretty ragged, with technical glitches and a misbehaving sound system. But I was swept away by the sophistication and exuberance of Mr. Larson's music and the mix of tenderness and cleverness in his lyrics. After the show Mr. Larson and I sat down for an interview in the tiny ticket booth of the theater, the only quiet space we could find amid the post-rehearsal confusion. For almost an hour, this sad-eyed and boyish, creator talked about his approach to songwriting, his determination to bring the American musical tradition to the MTV generation, and about friends snuggling with H.I.V. infection who had inspired the show.
The fact that the original production was an almost-intact transfer of the initial production at the New York Theater Workshop implies that______.

A. Rent was a classical work
B. Michael Greif was a conservative director
C. Rent was conservative
D. people were nostalgic

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As stated in the text, those who grabbed "the largest piece" in the "economic pie" in the

A. venture capitalists who reaped rewards.
B. investor3 engaged in the tech-sector.
C. workers in nonfinancial corporations.
D. shareholders in the stock market.

设有关系模式R(A,B,C,D) ,F={(A,D→C,C→B) },则R的所有候选码为 ______。

A. 候选码为(A,D,
B. 候选码为(A,D)
C. 候选码为(A,C)
D. 候选码为(A,D) ,(A,C)

Part A
Directions: Read the following four texts. Answer the questions below each text by choosing A, B, C or D. (40 points)
In the end, a degree of sanity prevailed. The militant Hindus who had vowed to breach a police cordon and start the work of building a temple to the god Ram at the disputed site of Ayodhya decided to respect a Supreme Court decision barring them from the are a. So charged have Hindu-Muslim relations in India become in recent weeks, as the declared deadline of March 15th neared, that a clash at Ram's supposed birthplace might well have provoked bloodshed on an appalling scale across the nation. It has, unfortunately, happened often enough before.
But the threat has not vanished. The court's decision is only an interim one, and the main Hindu groups have not given up on their quest to build their temple. Extreme religious violence, which seemed in recent years to have faded after the Ayodhya-related explosion of 1992-93, is again a feature of the political landscape. Though faults lie on both sides (it was a Muslim attack on Hindus in a train in Gujarat that started the recent slaughter), the great bulk of victims were, as always, Muslims. Once again, educated Hindus are to be heard inveighing against the "appeasing" of Muslims through such concessions as separate constitutional status for Kashmir or the right to practice Islamic civil law. Once again, the police are being accused of doing little or nothing to help Muslim victims of rampaging Hindu mobs. Once again, India's 130m Muslims feel unequal and unsafe in their own country. Far too many Hindus would refuse to accept that it is "their own country" at all.
The wonder of it, perhaps, is that things are not worse. While the world applauds Pakistan for at last locking up the leaders of its extreme religious groups, in India the zealots still support, sustain and to a degree constitute the government. The BJP, which leads the ruling coalition, was founded as a political front for the Hindu movement. It is simply one, and by no means the dominant, member of what is called the Sangh Pariwar, the "family of organizations". Other members of the family are much less savoury. There is the VHP, the World Hindu Organization, which led the movement to build the Ram temple. There is the Bajrang Dal, the brutalist "youth wing" of the VHP. There is substantial evidence that members of the VHP and the Bajrang Dal helped to organize the slaughter of hundreds of Muslims in Gujarat after 58 Hindus were killed on a train as they returned from Ayodhya.
It can be learnt from the text that the ruling party in India

A. offered little assistance in the massacre of Muslisms.
B. was unanimous with respect to the issue of religion.
C. might have brought religious conflict into politics.
D. was striving to gather evidence against militant Hindus

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