题目内容
A bill of exchange which is drawn in favour of a fictitious or non-existing person is not
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Personal property consists of all movable property except property recoverable and /or enforceable by taking an action.
Section B
Directions: In this section, you will hear 3 short passages. At the end of each passage, you will hear some questions. Both the passage and the questions will be spoken only once. After you hear a question, you must choose the best answer from the four choices marked A, B, C and D.
听力原文： Medical experts say most Americans do not get enough sleep and more Americans need to rest for a short period in the middle of the day. A slight sleep is suggested before continuing with other activities. A study for at least three times a week had a thirty-seven percent lower risk of dying from heart disease than those who did not nap. Study organizers said the strongest evidence was in working men. (27)The organizers said naps might improve health by reducing tension caused by work. Some European and Latin American businesses have supported the idea of napping for many years. They urge people to leave work, go home and have a nap before returning. In the United States, some companies let workers rest briefly in their offices(28)so as to reduce mistakes and accidents, and also increase the amount of work a person can do. Sleep experts say it is likely that people make more mistakes at work than at other times. They say people should not carry out important duties when Experts say this provides extra energy and can increase your effectiveness until the end of the day. But experts warn that a nap should last no more than twenty to thirty minutes. A longer nap will put the body into deep sleep. Waking up will be difficult.
(27)
SECTION B INTERVIEW
Directions: In this section you will hear everything ONCE ONLY. Listen carefully and then answer the questions that follow. Questions 1 to 5 are based on an interview. At the end of the interview you will be given 10 seconds to answer each of the following five questions.
Now listen to the interview.
听力原文： Interview with Nick Ularu About leadership and team building in arts and culture
Reporter: Welcome Nick, our audience must be eager to know your ideas about leadership and teambuilding in arts and culture.
Nick: Thanks. I think everybody who wants to pursue a successful career, specially in the arts, have to consider himself/herself a world citizen from the beginning. I think one of the most dangerous notions in the contemporary society is the provincialism. I was trying always to keep my Romanian roots but I felt always the need to connect myself with what's happen in the world. I can understand the fears of loosing the identity but due to the development of the technology and information it is practically impossible to ignore some of the advantages of the scary globalization.
Reporter: But now, because we got together again here, in this amazing and--I might say--unbelievable country such as
the USA, let's talk a little about your experience here, first. Then, because I know that you are teacher and a set designer in the same time, maybe you can tell me how you can handle this.
Nick: I had a cultural choke in my first six months in the USA. It is hard to accept that the American administration doesn't subsidize the arts as the majority of the European governments do, specially because the USA is the most developed country in the world. It is amazing to see an artist as Robert Wilson doing his experimental projects in Europe, with European money, with budgets one cannot dream to have here in the USA outside of the entertainment industry, and coming to present these performances in the USA. Speaking about evil, it is still hard for me to associate the concept of industry with the concept of arts, like the film industry or entertainment industry. I was wondering always if directors like Fellini or Bergman would exist or survive as artists in the American film industry, and how their films will look like. Thanks God, the American art survive based on the private sponsorship and on the artists ambitions and frustrations.
Reporter: Is your career as a teacher helping the artistic side？
Nick: To be honest it was more easy to handle this in Europe. My career as a teacher is occupying almost all my time over the academic year. It is frustrating to refuse some of the project proposals just because I don't have the physical time to do it.
But this was always a major problem for me. I think I need more lives to do what I want to do or at least days of 36-48 hours. I like teaching because I have the feeling that keeps me young...
Working with young artists is as wonderful and painful as the love is. I hate teaching in an environment where there are more concerns about the politics, political correctness, power, etc. than education.
Reporter: Do you feel that your students are going to become your followers？ What is your teaching technique, basically？ Is it just listen to me, and do that or the far more difficult. Let's see what you have to say about the issue？
Nick: MY philosophy of teaching is that the students must be the followers of their own talents, not mine. All I try to do is to develop their own personality, to make them open and confident in their powers. In my opinion a teacher must be first of all, honest with his/her students. One cannot do education by pleasing always your students in order to have good evaluations for your tenure.
Reporter: What about the teamwork both in classes and at the theatre- is something different from other countries, in term of relationship between the members？
Nick: The teamwork
A．singularB．loneC．individualD．unique
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